Archive for the ‘SLR’ Category

50 Greatest Cameras of All Time

March 15, 2011 Leave a comment

A photographer’s ‘first’ camera will always be the one which holds a special place in their heart, whatever we move on to owning. Some of us remain loyal to one brand, one manufacturer or one model throughout our photographic lives. Others are happy to jump to the latest ‘next’ thing or the ‘hot’ model of the time. Whichever route you take when it comes to owning cameras, there is always a certain sense of nostalgia for those cameras from the past and there are few better ways to spend your non-shooting time than by compiling the ‘greatest ever’ list.Rather than just rely on our personal likes and dislikes, we asked the country’s retailers to supply us with their top ten lists and a few of our Photography Monthly Masters to chip in with their votes to help us compile the 50 greatest cameras of all time in no particular order. They are all winners in our eyes. Is it the ultimate list? Or just a good starting point? Only you can decide; either way, for some of you it will be a trip down memory lane and for others an introductionto some of the forgotten classics.

50 Yashicamat 124The Yashicamat 124 is a twin-lens reflex (TLR) that is based on the much more expensive and iconic Rolleiflex system of medium-format cameras and was first introduced in 1957. It’s a capable camera with a good lens and the perfect low-price introduction to shooting square-format images.

49 Nikon D300sAnother big favourite with our readers. The D300S is a 12.3 megapixel DX format model launched in 2009. It replaced the D300 as Nikon’s DX format flagship DSLR by adding HD video recording (with autofocus). It has similarities to the Nikon D700, with the same resolution, but has a smaller, higher-density sensor.

48 Pentax K1000The K1000 was produced from 1976 to 1997 and if you went to art school during this period it was probably the camera you were given to use. They are still being handed out today! The K1000’s longevity makes it significant, despite its ordinary design. It was already technically obsolete in 1976, but its inexpensive simplicity made it a popular workhorse.

47 Sinar Norma Invented in 1947 asa large-format camera ofhigh precision and simple operation, with a system of parts that were readily interchangeable. The name Sinar is an acronym forStudio, Industry, Nature, Architecture, Reproduction, which sums up the versatility of the system. The Sinar Norma, made from 1947 to 1970, is a technological and industrial design icon.

46 Nikon D90The D90 is a 12.3 megapixel model launched in 2008 to replace the D80 and it is a firm favourite with our readers. The updated model includes live view capability and automatic correction of lateral chromatic aberration. It was also the first DSLR to offer video recording, with the ability to record HD 720p videos, with mono sound, at 24 frames per second and has a high resolution rear LCD screen. A built-in autofocus motor means that all Nikon F-mount autofocus lenses (except for the two rare Nikon F3AF) can be used in autofocus mode. The D90 was also the first Nikon camerato include a third firmware module, labelled ‘L’, which provides an updateable lens distance integration database that improves autoexposure.

45 Canon F-1The Canon F-1 was producedby Canon from 1971 to 1976 and was the model that saw the introduction of the Canon FD lens mount. The F-1 was Canon’s first truly professional-grade SLR system, supporting a huge variety of accessories and interchangeable parts so it could be adapted for different uses and preferences.

44 Pentax Auto 110Launched in 1978 the Pentax Auto 110 and Pentax Auto 110 Super were single-lens reflex cameras made by Asahi Pentax. The Auto 110 was introduced with three interchangeable lenses. A precursor to today’s compact camera systems it claims to have been the smallest interchangeable-lens SLR system created made to professional quality.

43 Pentax K20DThe K20D body was developed by Pentax while its CMOS sensor was manufactured by Samsung, which became Pentax’s partner in 2005. Until 2008, the K20D held the record for the highest resolution sensor in theAPS-C image sensor format,at 14.6 megapixels.

42 Hasselblad 503CWThe Hasselblad that brings old school to new ways. The 503CW can deal with analogue and digital capture thanks to the range of digital backs available. The perfect option for those unwilling to give up film.

41 Sony Alpha 900The α900 is Sony’s current flagship digital SLR, introduced in September 2008. As well as a hostof pro features it includesa massive 24.6 megapixelfull-frame CMOS sensor which makes it an obviousinclusion in our list forthat reason alone.

40 Canon T90 A lot of you still seem to be very fond of the Canon T90, which was first introduced in 1986, as the top of the line in Canon’s T series of 35mm SLRs. It was the last professional-level manual-focus camera from Canon, and the last professional camera to use the Canon FD lens mount. Although it was rapidly overtaken by the autofocus revolution and Canon’s EOS (Electro-Optical System) cameras after only a year in production, the T90 pioneered many concepts seen in high-end Canon cameras up to the present day, particularly the user interface, industrial design and high level of automation. Due to its rugged build, the T90 was nicknamed ‘the tank’ by Japanese photojournalists. Many photographers and retailers still rate the T90 highly even after 20 years as it is considered by many to have been the best slr Canon ever.

39 Nikon D2X The D2X is a 12.4 megapixel camera which was launchedby Nikon in 2004. The D2X was the highest resolution flagship in Nikon’s DSLR line until June 2006 when it was supplanted by the D2Xs and later by the Nikon D700 and Nikon D3, both using a newFX full-format sensor.

38 Olympus OM-1 The OM-1 really is one of the most loved and highly regarded of film SLRs. The first model was launched in 1972 and was called the M-1. Thirteen years earlier, the release of the Nikon F had made the 35mm SLR the standard choice for professionals accustomed to using Leicas and other rangefinders, but it had driven the market towards heavy and bulky cameras. The Olympus M-1 changed all that and with it began a reduction of size, weight and noise of the 35mm SLRs. Since Leica’s flagship rangefinder cameras are known as the M Series, the company complained about the name of the M-1, forcing Olympus to rename it theOM-1. The OM-1 is an all-mechanical SLR with a very large viewfinder with interchangeable screens but a fixed prism. It also featuresa through-the-lens exposure meter and, quirkily, has the shutter speed dial around the lens mount rather than on the camera’s top plate. It’s not fashionable but it is brilliant.

37 Nikon D40Despite having been on the market since late 2006, the D40 still has some benefits over its newer rivals. Because only six megapixels are fitted on to the standard Nikon DX format sensor, the sensitivity of each pixel is higher. The default sensitivity is ISO 200 and it adds an ISO 3200 speed (listed as ‘Hi1’ in the camera menu). The D40 has a very fast 1/500 flash sync, useful for daytime fill-flash. This compares to the typical 1/200 sync speed of other entry level and even some semi-pro DSLR cameras. But the D40 lacks a built-in autofocus motor, so only Nikon lenses with AF-I, AF-S or compatible focus motors can be used in autofocus mode.

36 Canon EOS 5DThe EOS 5D, launched in 2005, was a landmark camera. It was a 12.8 megapixel DSLR and the first with a full-frame sensor at an incredibly low price which made professional quality digital images available to all. The professional market changed overnight and despite what are now considered low ISOs, the 5D remains amuch-loved industry favourite.

35 Mamiya RZ67The RZ67 is the mediumformat workhorse of the pro industry and a modularsystem, meaning that lenses, viewfinders, ground glasses, film winders and film backsare all interchangeable. The RZ67 is designed primarily for studio use, but is often usedon location as well.

34 Panasonic DMC-LX3The Panasonic Lumix DMC-LX3, or LX3, is a high-end compact camera launched in 2008 as a successor to the LX2 and continues to be oneof the best high-end compact point and shoots available.

33 Nikon D700 Another much-loved recent model from Nikon, the D700 is a professional grade dslr launched in 2008. It uses the same 12.1 megapixel FX-CMOS image sensor as the D3 and is Nikon’s second full-frame digital SLR camera. The D700’s full-frame sensor allows the use of non-DX F-mount lenses to their fullest advantage, with no cropfactor. The D700 bearsa physical similarity to the D300 and has a built-in autofocus motor for all Nikon autofocus-lenses, includes CPU and metering for older Nikon F-mountAI/AI-S lenses, and supports PC-E lenses.

32 Canon A-1Launched in 1978 the A-1 is historically significant because it was the first SLR to offer an electronically controlled programmed auto-exposure mode. Instead of the photographer picking a shutter speed to freeze or blur motion and choosing a lens aperturef-stop to control depth of field (focus), the A-1 has a microprocessor programmed to automatically select a compromise exposure which is based on light meter input. Virtually all cameras today have at least one program mode.

31 Nikon FM2 The FM2 was designed notfor budget minded snappers who would never take the time to learn to use shutter-speeds and aperture settings, but instead to appeal to serious photographers who demanded a tough, rugged camera.At the time of the FM2’s launch in 1982, Nikon believed that advanced photographers were not interested in every latest technology, but instead favoured high quality and precision workmanship.The FM2 is very mucha photographer’s camera.

30 Pentax ME FThe ME F was the first autofocus (AF) 35mm SLR camera to reach production. It had a built-in through-the-lens (TTL) electronic contrast detection system to automatically determine proper subject focus and drive a lens to that focus point. Although it auto-focused poorly and was a commercial failure, the ME F wasa milestone in camera technology, pointing the way to present-day AF SLRs.

29 Rolleiflex TLRThe Rolleiflex medium-format TLR (twin lens reflex) film cameras launched in 1929 were loved for their compact size, light weight, superior optics, durable and simple mechanics and bright viewfinders. The mechanical wind mechanism was robust and clever, making film loading semi-automatic and quick. A wide range of accessories made this camera a more complete system, allowing close-ups, added filters and quick tripod attachment. Still much loved and used, particularly by art photographers.

28 Nikon SP RangefinderThe SP is a professional level, interchangeable lens, 35mm film, rangefinder camera launched in 1957 as the culmination of Nikon’s RF development which began in 1948 with the Nikon I. It is considered the most advanced rangefinder of its time.

27 Bronica EC-TLIIOften unfairly seen as the poor man’s Hasselblad, the ‘Bronnie’ was many people’s first medium-format camera. A reasonable price combined with a huge range of lenses available made the ‘Bronnie’a great enthusiast’s choice.

26 Hasselblad 500ELIn 1964 Hasselblad started production of the motorised 500EL. Apart from the housing that incorporates the motor drive and the batteries, the EL was similar in appearance and operationto the Hasselblad 500C and uses the same magazines, lenses and viewfinders.

25 Leica M9The latest in the legendary rangefinder M series from Leica and only the second ina digital format featuring an 18.5 megapixel sensor.

24 Holga 120NFew cameras create their own aesthetic but the Holga definitely has. It is an inexpensive, medium-format 120 film toy camera, made in China. The Holga’s low-cost construction and simple lens gives pictures that display vignetting, blur, light leaks and other distortions, all of which have led to the camera gaining a cult following.

23 Kodak Retina IIICThe Retina, launched in 1936, was a compact folding camera which pioneered the 135 film format. The IIIC first appeared in 1957 and was the fifthand final development ofthe original model.

22 Olympus Pen E-P1Beautifully designed and named after Olympic’s original half-frame 35mm Pencameras launched in 1959, the E-P1 is another of the cameras leading the way in the compact system revolution.

21Canon EOS 7DJust as you were saving up for a 5D MkII, Canon brought out the 7D and made many of the qualities of the MkII available at an even lower price, even adding a host of facilities new to the EOS range.

20 Olympus TripThe Trip 35 was introduced in 1967 and discontinued in 1984. The name referred to its intended market, people who wanted a compact camera for holidays. More than ten million were sold. This point and shoot model had a solar powered selenium light meter and just two shutter speeds. Although the Trip is coming back into fashion due to its quality and ecological credentials, you can pay as little as £10 for one.

19 GandolfiThe maker of one of the greatest handmade large-format cameras ever made. Based in London, ithas been making and repairing cameras since 1885.

18 Pentax 6x7A fond favourite of any pro who worked with it throughout the seventies and eighties despite its weight and tendency to spend more time being repaired than used. The Pentax 6×7 looks like and is operated like a regular 35mm SLR camera but is loaded with either 120 or 220 roll film, which produces 10 or 206×7 format exposures. You have to love this camera with its wooden handle attachment and tank-like construction.

17 Rollei 35 The Rollei 35 is a 35mm miniature viewfinder camera launched in 1966, when it was the smallest 135 film camera ever. Even today the Rollei 35 series remains the smallest mechanically working 35mm cameras ever built.

16 Zeiss Contaflex Super BC The Contaflex SLR, introduced in 1953, was one of the first 35mm SLR cameras equipped with a between-the-lens leaf shutter. The Super, launched in 1959, is easily recognisable by the wheel on the front plate for setting the aperture.

15 Leica IIIThis quirky rangefinder launched in 1933 used a coupled rangefinder distinct from the viewfinder. The latter was set for a 50mm lens and to use other lenses required an alternate viewfinder on the accessory socket.

14 Olympus PenThe Pen half-frame, fixed-lens viewfinder cameras were made from 1959 to the start of the eighties. The original was one of the smallest cameras to use 35mm film in 135 cassettes.

13 Polaroid SX-70The original SX-70 was beautiful with a folding body finished in brushed chrome and tan leather panels. It had a whole array of accessories, including a close-up lens, electrical remote shutter release and a tripod mount.

12 Ilford WitnessThe Ilford Witness was a rangefinder with interchangeable lenses announced in 1947, but not released until 1953 because of manufacturing difficulties. A true industry secret due to its quality and rarity.

11 Panasonic GF1Released in 2009, the GF1 has a strong following among pro and enthusiast photographers as a compact system camera which can change the way you can create images. Great quality of build and image.

10 Canon eos 1D MkIV The 1D has always been the peak of Canon’s camera range in all its different forms. However, the MkIII didn’t make many friends and took a little of the shine off the 1D for some. The MkIV has converted those doubters. It’s a solid piece of pro kit that gets everything right including making the 1D first choice again.

9 Nikon FIntroduced in 1959 and an instant classic, the Nikon F introduced the concept of the modular 35mm single-lens reflex camera (SLR) and changed the way in which photographers could take pictures, from the fashion studios of swinging London to the war zones of Vietnam.The F-bayonet mount isstill in use today, andremains essentially unchanged, except for some minor refinements to keep pace with technology.

8 Leica M4A classic within the legendary M series, the M4 was introduced in 1967 and is the direct successor of the M3and M2. Three ergonomic modifications were introduced in the M4: A different, angled film advance lever, as well as slightly different rewind,self-timer and frame selection levers; a crank for rewinding the film, replacing the telescopic knob of the M3;and a faster loadingsystem that did not needa removable spool.

7 Mamiya 7IIThe Mamiya 7II is a medium format 6x7cm rangefinder camera with interchangeable leaf shutter lenses but is no bigger than top 35mm SLRs. Quiet, compact and lightweight, the 7II has a panoramic adaptor accessory that can also be added for true 24x65mm panoramic images.

6 Canon EOS 5D MkII The camera which brought about the birth of convergence between photographers and filmmakers. The 5D MkII has become a landmark camera which is being used by pro photographers and Hollywood film-makers. The final episode of the US medical drama House was shot on a 5D MkII.

5 Contax RTS-3The RTS (short for Real Time System), was created by the Porsche Design studios and was the beginning of the new Contax line of SLR cameras which brought 13 different models. The RTS-3 became an instant hit with pro photographers the moment it was launched due to its looks, build and image quality.

4 MinoxMinox is famed for its subminiature cameras. Originally launched as luxury items, they gained notoriety as a spy camera during the Second World War. Production moved from Latvia to Germany after the war. Minox continues to make miniature cameras today. Just keep it secret!

3 Hasselblad 500CM The professional’s first choice medium-format camera for more than 40 years. The 500 was the second generation of the Hasselblad 6x6cm format film and was launched in 1957. Strong build, high-quality lenses and ease of use have made it the professional photographer’s friend, whatever they are shooting.

2 Nikon D3sThe latest top pro offering in the Nikon range. The D3s has broken new ground with its incredibly high ISO capability and super tough build and construction. Designed to meet the needs of the most demanding of pro photographers, it deliversand then some.

1 Kodak BrownieThe Brownie, launched in 1900, popularised low-cost photography and introduced the concept of the snapshot. The original cardboard box camera took 2.25in sq pictures. The 127 modelsold millions from1952 to 1967.

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Thanks for sharing!


Leica – the MVP camera!

December 7, 2010 1 comment

WestLicht Auction on December 4th, 2010 ended sucessfully!


This auction’s highlight, a rare Leica MP2 from 1958 with a start price of 80,000 EUR, was hammered for incredible 402,000 EUR (incl. premium). The buyer now posses the most expensive Leica camera ever sold!

The results for the Nikon lots are equally impressive. Two lots of this section now share the world record for the most expensive Nikon camera on earth! The Nikon S2-E, a viewfinder camera built in 1957, was hammered for 168,000 EUR (starting price: 90,000 EUR) – for the same amount a Nikon F3 NASA from 1968 found a new owner. The selling price of this camera exceeded the start price of 16,000 EUR more than ten times!

The photo auction conducted on the same day was also a great success. The highlight of the auction was a 1914 portrait of Egon Schiele by Josef Trcka which was bought by a European dealer for 43.200 EUR incl. premium. A portrait by Gustav Klimt started at 6,000 EUR and was hammered for 15,600 EUR.

Our next WestLicht auction will be held on May 28th 2011.

Source (text and photo)

Leica remains the MVP camera of the world in photography (MVP – most valuable player) 🙂

Never say never

February 3, 2010 1 comment

Cred ca totul a inceput de aici, de la o simpla intrebare. De ce renunta lumea la aceste chestii, numite aparate de fotografiat, fara ecran…si anume SLR?

Raspunsul a fost simplu cred… “E criza. Nu-s joburi, este nevoie de bani.. :(“

Asa pare sa fie, tot mai multi renunta la film si cumpara chestii cu ecran…sau au deja. Ramane praful, amintirile, casete goale, panze de paianjeni, vase. Parca vad totul intr-o debara mica si dosita undeva, ca intr un filmulet, cum se plimba o imagine trista pe rafturile goale uitate-n timp…si undeva in background se aude Guns – Knockin’ on Heaven’s Door.

Totul se imbalsameaza in acel intuneric din “darkroom”,

care era cat de fericit se poate, pt ca in lumina urma sa exploram bucuria fiecarui cadru…acea bucata de pelicula cu nuante gri, mov, negru pal, cenusii,

Se inchid usile (debaralei) incet, parca si tacerea e pe mute, nu se aude nimic, e o su rzenie muta…Si zbeng, culiseaza usile, intre ele. Se aude un oftat, cred sau mi se pare mie?! E intuneric…e intunericul acela de darkroom, care era cat de fericit se poate, pt ca la lumina urma sa exploram munca, bucuria fiecarui cadru…

E intuneric. E doar intuneric.
Agfa APX 100, Rodinal R09

Agfa APX 100, Rodinal R09

A good advice

November 5, 2009 1 comment

Advice for Aspiring Photographers

By Cheryl Jacobs Nicolai

“These are my thoughts, nothing more and nothing less.

I get asked all the time, during workshops, in e-mails, in private messages, what words of wisdom I would give to a new and aspiring photographer. Here’s my answer.

• Style is a voice, not a prop or an action. If you can buy it, borrow it, download it, or steal it, it is not a style. Don’t look outward for your style; look inward.

• Know your stuff. Luck is a nice thing, but a terrifying thing to rely on. It’s like money; you only have it when you don’t need it.

• Never apologize for your own sense of beauty. Nobody can tell you what you should love. Do what you do brazenly and unapologetically. You cannot build your sense of aesthetics on a consensus.

• Say no. Say it often. It may be difficult, but you owe it to yourself and your clients. Turn down jobs that don’t fit you, say no to overbooking yourself. You are no good to anyone when you’re stressed and anxious.

• Learn to say, “I’m a photographer” out loud with a straight face. If you can’t say it and believe it, you can’t expect anyone else to, either.

• You cannot specialize in everything.

• You don’t have to go into business just because people tell you that you should! And you don’t have to be full time and making an executive income to be successful. If you decide you want to be in business, set your limits before you begin.

• Know your style before you hang out your shingle. If you don’t, your clients will dictate your style to you. That makes you nothing more than a picture taker. Changing your style later will force you to start all over again, and that’s tough.

• Accept critique, but don’t apply it blindly. Just because someone said it does not make it so. Critiques are opinions, nothing more. Consider the advice, consider the perspective of the advice giver, consider your style and what you want to convey in your work. Implement only what it makes sense to implement. That doesn’t make you ungrateful; it makes you independent.

• Leave room for yourself to grow and evolve. It may seem like a good idea to call your business “Precious Chubby Tootsies”…but what happens when you decide you love to photograph seniors? Or boudoir?

• Remember that if your work looks like everyone else’s, there’s no reason for a client to book you instead of someone else. Unless you’re cheaper. And nobody wants to be known as “the cheaper photographer.”

• Gimmicks and merchandise will come and go, but honest photography is never outdated.

• It’s easier to focus on buying that next piece of equipment than it is to accept that you should be able to create great work with what you’ve got. Buying stuff is a convenient and expensive distraction. You need a decent camera, a decent lens, and a light meter. Until you can use those tools consistently and masterfully, don’t spend another dime. Spend money on equipment only when you’ve outgrown your current equipment and you’re being limited by it. There are no magic bullets.

• Learn that people photography is about people, not about photography. Great portraits are a side effect of a strong human connection.

• Never forget why you started taking pictures in the first place. Excellent technique is a great tool, but a terrible end product. The best thing your technique can do is not call attention to itself. Never let your technique upstage your subject.

• Never compare your journey with someone else’s. It’s a marathon with no finish line. Someone else may start out faster than you, may seem to progress more quickly than you, but every runner has his own pace. Your journey is your journey, not a competition. You will never “arrive.” No one ever does.

• Embrace frustration. It pushes you to learn and grow, broadens your horizons, and lights a fire under you when your work has gone cold. Nothing is more dangerous to an artist than complacency.”

Taken from The Online Photographer. Here is the link.

Original text from Cheryl’s blog, PhotoDino. Thank you very much!

(please look at the comments on the Cheryl’s advice)

El padre

Patriciu, with his D70s

Patrciu, a good friend of mine, with his D70s at Bistrita, 2005*

Canon Rebel K2, Sigma 28-80 and Kodak Professional CN 400 BW, C41.

*Even if the photograph did not focus well, I liked the photographer’s expression.

Categories: Film, Kodak BW 400 CN, SLR Tags: , ,

Primii pasi…

November 1, 2009 1 comment

Tin minte, ca acum cativa ani imi imprumutase Edi aparatul lui de fotografiat, primit la randul lui, de la cineva.  Parea o bijuterie de aparat. De fapt, mai mult o jucarioara de aparat. Primul SLR electronic, pe care puneam degetele. Degete care nu stiau sa il porneasca. Radeam amandoi pentru ca erau moarte bateriile.

Era un SLR Canon. Canon Rebel K2. Era in voga, cu renume, nu se gaseau pe toate gardurile, iar pretul lor era destul de mare. Imi placea si cum suna denumirea lui, parca il facea mai deosebit, iar K2, firma de echipamente pentru sport extrem. Degentele s-au lipit bine de el, aproape 2 ani, chiar daca il bateam pe Edi la cap sa il dau inapoi. Mi-a fost drag aparatul. Il purtam cu mine mai tot timpul.

Uitasem de Zenit pentru moment. La vremea aceea avea o problema la mecanismul de derulare si rupea filmul, problema care o mai are si acum, de altfel, desi l-am dus in Cluj, la batranelul vestit sa il repare. Mi-a spus ca nu are nici o problema.

Primisem cadou de la cineva apropiat, de Craciun, un film Tura, facut in Germania, alb-negru, cu 36 de expuneri, proces C-41. De abia se mai gaseau prin oras, desi nu prea cumpara lumea filme decat foarte rar.  Imi aduc aminte ce scria pe cutia respectiva, pe care inca o mai am.  “Pentru ca nu trebuie sa renuntam la ceea ce visam”. Ironia sortii a fost ca Zenitul a distrus filmul si am putut recupera vreo 3-4 cadre. Eram destul de suparat, iar Edi a cazut la fix cu aparatul.

Prietenia cu Canon EOS Rebel K2  s-a dezlantuit foarte repede. Dupa o luna si ceva de cautari si promisiuni am luat bateriile necesare sa-l pornesc. Daca-mi aduc bine aminte erau  CR-2, 3V. Gasisem si butonul de pornire intre timp. Aparatul era usor, zgomotos cand focaliza si dupa fiecare cadru aparatul nu mai putea focaliza, parca ramanea fara alimentare. Avea o problema des intalnita la aparatele pe film Canon, ceea ce am aflat mult mai tarziu. Ma rog, dupa fiecare cadru apasam butonul de focalizare si isi revenea, uneori necesita doar o repornire, spre bucuria mea. Mai aveam si doua filtre pe 58mm, unul galben si unul rosu, Quantaray.

Nu cunosteam prea multa lume care avea placerea sa fotografieze. Si in special pe film. Cumparam filme Kodak (C41) si Agfa APX (manual), in special asa 400, desi Kodak CN 400 avea un grain mai mult, se developa fara bataie de cap si se gasea mult mai usor, desi era mai scump. Spun bataie de cap, pentru ca dupa doua experiente neplacute cu Agfa, am renuntat sa mai cumpar. Le-am dus la developat la un chiosc kodak si mi-au spus ca “nu au iesit”. Si acum mai cred ca au incurcat filmele, developandu-le in proces automat, C41. Din pacate grainul filmelor Agfa il vazusem doar intamplator la cineva, in cateva fotografii, o parte de la bunicul meu.

Din joaca, din noroc, K2-ul a schimbat ceva in mine. Nu stiam daca in bine sau in rau, insa cu timpul am observat acele schimbari…Zenitul incetasem sa il folosesc datorita problemelor care le avea, bani de alt aparat mai bun nu aveam si nici nu stiam de unde sa imi cumpar.

A urmat o pauza lunga, de cativa ani…pana la primul meu DSLR.

Alex, fratele meu.

Bistrita, 2005

my brother

Canon EOS Rebel K2 , Sigma 28-80 f/3.5-5.6 Macro

Kodak CN 400 BW Professional,  asa 400/36p – C41 process

f/3.5-5.6 Aspherical Macro HF

Categories: Film, Kodak BW 400 CN, People, SLR Tags: , , ,